Technoshamanism in the Dome of Visions, Aarhus – review

by Fabiane M. Borges

(originally)

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In 12 of August of 2017 we did the second meeting of technoshamanism in Aarhus/ Denmark, here is the open call “Technoshamanism in Aarhus, Rethinking ancestrality and technology” (2017).

The first one was in november of 2014 with the name “technomagic and technoshamanism meeting in Aarhus“. It was made at the Open Space, a hacker space in Aarhus.

The second one was made at Dome of Visions,  a ecological geodesic located in the region of Port of Aarhus, supported by a group of eco-activists. The meeting was organized by Carsten Agger with  Ariane Stolfi, Fabiane M. Borges and Raisa Inocêncio. With the participation of: Amalia FonfaraRune Hjarno RasmussenWinnie Soon and Sebastian Tranekær. Here you can see the complete programme.

First, we did a radio discussion, after performance/ritual presentations, in the end a jam session of voice, noise with analogical and digital instruments, Smoking and clay bath.

AUDIO (by Finetanks): https://archive.org/details/II-tcnxmnsm-aarhus

PHOTOS (by Domo of Visions):

 

 

 

VIDEOS (by tcnxmsnm):

Part 1

Part 2

 

“The venue was really beautiful and well-equipped, its staff was helpful
and people in the audience were friendly and interested. Everything went
completely smoothly and according to plan, and the final ritual was
wonderful with its combination of Arab flute, drumming, noise and visual
performance. All in all a wonderful event.” (Carsten Agger)

“I think it was really instructive and incredibly cool to be with people who have so much knowledge and passion about the subjects they are dealing with. Communication seems to be the focal point, and there was a great willingness to let people express their minds.” (Sebastian Tranekær)

“The meeting was very diverse, the afternoon with speeches and discussion of some topics linked to the network of technoshamanism, such as self-organization, decolonization of thought, then we discussed technology and future cyborg and at the end we talked about noise and feminism. Ritual open with the participation of other people and was very curious to see the engagement, – it was a rite of rock!! ” (Raisa Inocêncio)”

It was so nice to see Aarhus again, this dome of vision is really special place, thank you to all of you!! We did just one day of meeting and we could not listen everybody, but I am sure it is just the beginning!!! I agree with Raisa, it was a rite of rock-noise. (Fabiane M. Borges)

Technoshamanism in Aarhus – rethink ancestrality and technology – PROGRAM

FREE RADIO
Moderated by Carsten Agger
14:00-14:45    What is technoshamanism? How does it work and what does it want?
What political issues does it raise? Introduction by Fabiane M. Borges, input from various participants
14:45-15:15    What and how may we learn about Chinese text censorship with machine learning? (Winnie Soon)
15:15-15:45    Decolonization and self-organization (Carsten Agger and Raisa Inocêncio)
15:45-16:30    Immigrating ontologies, recovering ancestralities (Rune Hjarnø Rasmussen and Amalia Fonfara)
16:30-17:30    Sonora Network – Collective Feminism in music and gender study (Ariane Stolfi)
17:30-18:00   BREAK
PERFORMANCE
18:00 – 19:00 Workshop: Invisible Drum (Amalia Fonfara)
19:00 – 19:30 Political Bath (Raisa Inocêncio)
19:30 – 20:00 Open Band (Ariane Stolfi)
20:00-21:00 BREAK, preparations for ritual
21:00 – 24:00  A collective DIY ritual created by the participants.
For the ritual, please bring musical instruments, clothes, whatever props are adequate for your contribution as well as inspiration and ideas.
EXHIBITION
Throughout the event, the installation Hyperelixx by Samuel Capps will be exhibited and can be perused by visitors.
The event will take place in Dome of Visions, Aarhus on August 12, as announced in the Open Call.
BIOGRAPHIES
Amalia Fonfara: (Greenland 1985) Artist and shamanic practitioner based in Trondheim. Since 2010, Amalia Fonfara has lived in Norway. She holds a bachelor of fine art (2013) and  an international master of fine art (2015), from Norwegian University of Science and Technology in Trondheim. Fonfara has studied different esoteric practices, including spiritism, shamanism and contemplative healing practices. She is currently doing a one year study prg. at Scandinavian Center of Shamanic Studies in Sweden. In her artistic practice the perception of reality, imagination and spirituality are closely connected and intertwined. Will present the Invisible Drum project at this event. www.amaliafonfara.com
Ariane Stolfi: Architect, composer, programmer and musician, transits between languages. Doctorate candidate on Sonology (ECA-USP), researching interactive interfaces on web technologies, has made installations and performances such “Hexagrama essa é pra tocar” and “Cromocinética”. Joined festivals such Submidialogias, #DisExperimental, Virada Cultural and Dissonantes, mantains finetanks.com experimental netlabel and collabotates with Sonora feminist collective.
Carsten Agger: Software developer, activist and writer, active in social movements for free software and civil rights and against racism and colonial wars, for twenty years. Trained as a theoretical physicist he works as a free software developer, contributes to the Baobáxia project and co-organized the LibreOffice Conference 2015. He wrote a book about the Qur’an and is currently studying Norse religion and language for a comparative project. Served two years on the board of the hackerspace Open Space Aarhus and co-organized the II International Festival of Technoshamanism and technoshamanism events in Aarhus and Berlin. www.modspil.dk
Fabiane M. Borges holds a Post PhD in Visual Arts and a PhD in Clinical Psychology from the Pontifícia Universidade Católica in São Paolo (Brazil) and works as a psychologist, artist and essayist; organizes events relative to art and technology and social movements; authored two books, Domínios do Demasiado (Hucitec/2010) and Breviário de Pornografia Esquizotrans (ExLibres 2010); coordinated two books with the media, art and technology network Submidialogia (Ideias Perigozas, 2010, and Peixe Morto, 2011). She is one of the organizers of the I and II International Festival of Technoshamanism – http://technoshamanism.wordpress.com/en Blog: https://catahistorias.wordpress.com/ – e-mail: ca t a d o re s@gm a il. c om
Raisa Inocêncio: Brazilian, born in 1989. She studied philosophy at the Federal University of Rio de Janeiro and Visual Arts at Parque Lage School. Now studying at Toulouse University (France) in Erasmus Mundus Masters Europhilosophie. Research on the aesthetic-political practices of post-porn movement through performing actions and references such as artists Anne Sprinkle, Diana Torres, the collective Coyote, Ju Dorneles among others.
Rune Hjarnø Rasmussen:Graduated from the University of Copenhagen with an MA in History of Religions and Anthropology, which included two fieldwork periods in Brazil and two in Uganda. He has self-published a book on the role of traditional songs in Capoeira, and has collaborated on documentary film work on the role of religion in Ghana (2002). He worked for two years in humanitarian work removing land-mines in Angola and the Nuba Mountains in Sudan, and he has worked and published on anti-trafficking. He is currently finishing a PhD on ritual technologies in Afro-Brazilian religion.
Samuel Capps is a British artist whose work, among them the recent show ‘Relics from the De-Crypt’, work around themes similar to technoshamanism. He also runs the gallery Gossamer Fog in London. www.samuelcapps.com
Winnie Soon: Winnie Soon is an artist-researcher who resides in Hong Kong and Denmark. Her work approach spans the fields of artistic practice and software studies, examining the materiality of computational processes that underwrite our experiences and realities in digital culture. Winnie’s work has been presented at festivals, conferences and museums throughout the Asia Pacific, Europe and America, including but not limited to Transmediale2015/2017, ISEA2015/2016, ARoS Aarhus Art Museum, Si Shang Art Museum, Pulse Art + Technology Festival, Hong Kong Microwave International Media Arts Festival, FutureEverything Art Exhibition. Currently, she is assistant professor at the Department of Digital Design and Information Studies in Aarhus University. More info: www.siusoon.net

Technoshamanism and Wasted Ontologies

Interview with Fabiane M. Borges published on May 21, 20171

By Bia Martins and Reynaldo Carvalho – translated by Carsten Agger

Fabiane M. Borges, writer and researcher

Fabiane M. Borges, writer and researcher

Also available in PDF format

In a state of permanent warfare and fierce disputes over visions of the future, technoshamanism emerges as a resistance and as an endeavour to influence contemporary thinking, technological production, scientific questions, and everyday practices. This is how the Brazilian Ph.D. in clinical psychology, researcher and essayist Fabiane M. Borges presents this international network of collaboration which unites academics, activists, indigenous people and many more people who are interested in a search for ideas and practices which go beyond the instrumental logic of capital. In this interview with Em Rede, she elaborates her reflections on technoshamanism as platform for producing knowledge and indicates some of the experiences that were made in this context.

At first, technology and shamanism seem like contradictory notions or at least difficult to combine. The first refers to the instrumental rationalism that underlies an unstoppable developmentalist project. The second makes you think of indigenous worldviews, healing rituals and altered states of consciousness. What is the result of this combination?

In a text that I wrote for the magazine Geni2 in 2015, I said this: that techno + shamanism has three quite evident meanings:

  1. The technology of shamanism (shamanism seen as a technology for the production of knowledge);
  2. The shamanism of technology (the pursuit of shamanic powers through the use of technology);
  3. The combination of these two fields of knowledge historically obstructed by the Church and later by science, especially in the transition from the Middle Ages to the Renaissance.

Each of these meanings unfolds into many others, but here is an attempt to discuss each one:

1) When we perceive shamanism not as tribal religions or as the beliefs of archaic people (as is still very common) but as a technology of knowledge production, we radically change the perception of its meaning. The studies of e.g. ayahuasca show that intensified states of consciousness produce a kind of experience which reshapes the state of the body, broadening the spectrum of sensation, affection, and perception. These “plants of power” are probably that which brings us closest to the “magical thinking” of native communities and consequently to the shamanic consciousness – that is, to that alternative ontology, as Eduardo Viveiros de Castro alerts us when he refers to the Amerindian ontology in his book Cannibal Metaphysics3, or Davi Kopenawa with his shamanic education with yakoana, as described in The Falling Sky4. It is obviously not only through plants of power that we can access this ontology, but they are a portal which draws us singularly near this way of seeing the world, life itself. Here, we should consider the hypotheses of Jeremy Narby in his The Cosmic Serpent: DNA and origins of knowledge where he explains that the indigenous knowledge of herbs, roots and medicine arises partly from dreams and from the effects of entheogens.

When I say that shamanism is a technology of knowledge production, it is because it has its own methods for constructing narratives, mythologies, medicine and healing as well as for collecting data and creating artifacts and modes of existence, among other things. So this is neither ancient history nor obsolete – it lives on, pervading our technological and mass media controlled societies and becoming gradually more appreciated, especially since the 1960s where ecological movements, contact with traditional communities and ways of life as well as with psychoactive substances all became popular, sometimes because of the struggles of these communities and sometimes because of an increased interest in mainstream society. A question arose: If we were to recuperate these wasted ontologies with the help of these surviving communities and of our own ruins of narratives and experiences, would we not be broadening the spectrum of technology itself to other issues and questions?

2) The shamanism of technology. It is said that such theories as parallel universes, string theory and quantum physics, among others, bring us closer to the shamanic ontology than to the theological/capitalist ontology which guides current technological production. But although this current technology is geared towards war, pervasive control and towards over-exploitation of human, terrestrial and extra-terrestrial resources, we still possess a speculative, curious and procedural technology which seeks to construct hypotheses and open interpretations which are not necessarily committed to the logic of capital (this is the meaning of the free software, DIY and open source movements in the late 20th and early 21st century).

We are very interested in this speculative technology, since in some ways it represents a link to the lost ancestral knowledge. This leads us directly to point 3) which is the conjunction of technology with shamanism. And here I am thinking of an archeology or anarcheology, since in the search for a historical connection between the two, many things may also be freely invented (hyperstition). As I have explained in other texts, such as the Seminal Thoughts for a Possible Technoshamanism or Ancestrofuturism – Free Cosmogony – Rituals DIY, there was a Catholic theological effort against these ancestral knowledges, a historical inhibition that became more evident during the transition from the Middle Ages to the Renaissance with its inquisitions, bonfires, prisons, torture and demands for retraction. The technology which was originally a part of popular tradition and needs passed through a purification, a monotheist Christian refinement, and adhered to these precepts in order to survive.

In his book La comunidad de los espectros5, Fabián Ludueña Romandini discusses this link between science and Catholicism, culminating in a science that was structurally oriented towards becoming God, hence its tendency to omnipresence, omnipotence and omniscience. Its link to capital is widely discussed by Silvia Federici in her book Caliban and the Witch6, who states that the massacre against witches, healers, sorcerers, heretics and all who did not conform to the precepts of the church was performed in order to clear the way for the introduction of industrial society and capitalism. So two things must be taken into account here: first, that there has been a violent decimation of ancestral knowledge throughout Europe and its colonial extensions and secondly, that the relationship between science/technology and the wasted ontologies was sundered in favor of a Christian theological metaphysics.

Faced with this, techno + shamanism is an articulation which tries to consider this historical trauma, these lost yet not annihilated leftovers, and to recover (and reinvent) points of connection between technology and wasted ontologies, which in our case we call shamanism since it represents something preceding the construction of the monotheisms and because it is more connected to the processes of planet Earth, at least according to the readings that interest us. But there are several other networks and groups that use similar terms and allow other readings such as techno + magic, cyber + spirituality, techno + animism and gnoise (gnosis + noise), among others, all talking about more or less the same issues.

The result of this mixture is improbable. It functions as a resistance, an awakening, an attempt to influence contemporary thinking, technological practices, scientific questions as well as everyday practices. These are tension vectors that drive a change in the modes of existence and of relation to the Earth and the Cosmos, applied to the point where people are currently, causing them to associate with other communities with similar aspirations or desiring to expand their knowledge. These changes are gradually taking shape, whether with clay or silicium technology. But the thing is crazy, the process is slow and the enemy is enormous. Given the current level of political contention that we are currently experiencing in Brazil, associations and partnerships with traditional communities, be they indigenous, afro-Brazilian, Roma, aboriginal or activist settlements (the MST7 and its mystique), seems to make perfect sense. It is a political renewal mixed with ancestorfuturist worldviews.

You’ve pointed out that conceptually technoshamanism functions as a utopian, dystopian and entropic network of collaboration. What does this mean in practice?

Fundamentally, we find ourselves in a state of constant war, a fierce dispute between different visions of the future, between social and political ontologies and between nature and technology. In this sense, technoshamanism manifests itself as yet another contemporary network which tries to analyze, position itself with respect to and intervene in this context. It is configured as a utopian network because it harbors visionary germs of liberty, autonomy, equality of gender, ethnicity, class and people and of balance between the environment and society that have hitherto characterized revolutionary movements. It is dystopian because at the same time it includes a nihilistic and depressive vision which sees no way out of capitalism, is disillusioned by neoliberalism and feels itself trapped by the project of total, global control launched by the world’s owners. It sees a nebulous future without freedom, with all of nature destroyed, more competition and poverty, privation and social oppression. And it is entropic because it inhabits this paradoxical set of forces and maintains an improbable noise – its perpetual noisecracy, its state of disorganization and insecurity is continuous and is constantly recombining itself. Its improbability is its dynamism. It is within this regime of utopia, dystopia and entropy that it promotes its ideas and practices, which are sometimes convergent and sometimes divergent.

In practice, this manifests itself in individual and collective projects, be they virtual or face-to-face and in the tendencies that are generated from these. Nobody is a network, people are in it from time to time according to necessities, desires, possibilities, etc.

This network’s meetings take place in different countries, mainly in South America and Europe. Can you give some examples of experiences and knowledge which were transferred between these territories?

Some examples: Tech people who come from the European countries to the tecnoshamanism festivals and return doing permaculture and uniting with groups in their own countries in order to create collective rituals very close to the indigenous ones or collective mobilization for construction, inspired by the indigenous mutirão. Installation of agroforestry in a basically extractivist indigenous territory organized by foreigners or non-indigenous Brazilians working together with indigenous people. The implementation of an intranet system (peer-to-peer network) within indigenous territory (Baobáxia). Confluence of various types of healing practices in healing tents created during encounters and festivals, ranging from indigenous to oriental practices, from afro-Brazilian to electronic rituals, from Buddhist meditation to the herb bath of Brazilian healers, all of this creating generative spontaneous states where knowledge is exhanged and is subsequently transferred to different places or countries. Indigenous and non-indigenous bioconstructor’s knowledge of adobe, converging in collective construction work in MST’s squatted lands (this project is for the next steps). Artistic media practices, performance, live cinema, projection, music, and so on, that are passed on to groups that know nothing about this. In the end, technoshamanism is an immersive and experiential platform for exchanging knowledge. All of this is very much derived from the experiences of other networks and movements such as tactical media, digital liberty, homeless movements, submediology, metareciclagem, LGBTQ, Bricolabs, and many others. In the technoshamanism book, published in 2016, there are several practices that can serve as a reference.

Technoshamanism arose from networks linked to collaborative movements such as Free Software and Do It Yourself with the same demands for freedom and autonomy in relation to science and technology. To what extent has it proposed new interventions or new kinds of production in these fields? Can you give an example?

First is important to say that these movements of free software and DIY have changed. They have been mixed up with the neoliberal program, whether we’re talking about corporate software or about the makers, even though both movements remain active and are still spaces of invention. In the encounters and festivals, we are going as far is possible, considers our precarious nature, lack of dedicated funding or support from economically stronger institutions, we rely mainly on the knowledge of the participants of the network, which come into action in the places. I also know of cases where the festivals inspired the formation of groups of people who returned to their cities and continued to do work related to technological issues, whether in the countryside, in computer technology, and in art as well. Technoshamanism serves to inspire and perhaps empower projects that already function, but which technoshamanism endorses and excites.

I think that a fairly representative example is the agroforest, the Baobáxia system and the web radio Aratu that we implemented with the Pataxó in the Pará village. It is an exhange and simultanously a resistance that points to the question of collaboration and autonomy, remembering that all the processes of this planet are interdependent and that autonomy is really a path, an ideal which only works pragmatically and to the extent that it’s possible to practice it. So we’re crawling in that direction. There are networks and processes much more advanced.

What we’d like to see is the Pataxó village Pará (home of the II International Festival of Technoshamanism), to take one example, with food autonomy and exuberant agroforests and wellsprings, with media and technological autonomy and very soon with autonomous energy. We’d like to see that not just for the Pataxó, but for all the groups in the network (at least). But that depends a lot on time, investment and financing, because these things may seem cheap, but they aren’t. We should remember that corporations, entrepeneurs and land-owners are concentrating their forces on these indigenous villages and encouraging projects that go totally against all of this, that is, applying pressure in order to take their land, incorporate them in the corporate productive system and turn them into low-paid workers, etc.

In May 2017 we met with the Terra Vista Settlement in Arataca (Bahia, Brazil). They invited the leaders of the Pataxó village to become part of the Web of Peoples8 which has this exact project of technological and alimentary autonomy and I see this as a kind of continuation of the proposals which were generated in community meetings in the Pará village during the preparations for the II International Festival of Technoshamanism. Everything depends on an insistent and frequent change in the more structural strata of desire. And when we understand that TV channels like the Globo network reach all these territories, we see the necessity of opening other channels of information and education.

Do you believe that insurgent knowledge and anti-hegemonic epistemologies should gradually take up more space in the universities or is it better for them to remain in the margin?

Fabiane M. BorgesIn a conversation with Joelson, leader of the MST in the Terra Vista settlement he gave the following hint, which was decisive for me: “Technoshamanism is neither the beginning nor the end, it is a medium.” His suggestion is that as a medium, technoshamanism possesses a space of articulation, which rather than answering questions of genesis and purpose functions as a space of interlocution, for making connections, uniting focal points, leveraging movements, expanding concepts and practices concerning itself and other movements – that is, it plays in the middle of the field and facilitates processes.

As yet another network in the “middle”, it negotiates sometimes within institutions and sometimes outside them, sometimes inside academia and sometimes outside it. Since it consists of people from the most diverse areas, it manifests itself in the day to day life of its members. Some work in academia, some in healing, others in a pizzaria. That is, the network is everywhere where its participants are. I particularly like it when we do the festivals autonomously, deciding what to do and how to do it with the people who invite us and we don’t have to do favours or do anything in return for the institutions. But this is not to say that it will always be like that. In fact, the expenses of those who organize the meetings are large and unsustainable. Sometimes the network will be more independent, sometimes more dependent. What it can’t do is stagnate because of the lack of possibilities. Crowdfunding has been an interesting way out, but it’s not enough. It’s necessary sometimes to form partnerships with organizations such as universities so the thing can continue moving in a more consistent and prolonged form, because it’s difficult to rely on people’s good will alone – projects stagnate because they lack the ressources.

Notes

4 Davi Kopenawa and Bruce Albert, The Falling Sky, Belknap Press (2013).

5 Fabián Ludueña, La comunidad de los espectros: Antropotecnia, Mino y Davila (2010).

6 Silvia Federici, Caliban and the Witch: Women, the Body and Primitive Accumulation. Brooklyn, NY: Autonomedia (2004). Available here: https://libcom.org/files/Caliban%20and%20the%20Witch.pdf

7 MST, the “landless worker’s movement” is a social movement in Brazil that fights for workers’ access to land through demands for land reform and direct actions such as establishing settlements on occupied land.

Technoshamanism: Collaborating with the Pataxó

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One of the more important parts of the 1st Festival of Technoshamanism (previously covered here, here and here) was several points of collaboration with the local Pataxó Indians.

The Pataxó is an indigenous people of about 12,000 people who live in the extreme south of the Brazilian state of Bahia, mainly in the area between Porto Seguro and Caraíva. Traditionally, the Pataxó have lived near Monte Pascoal, in the aldeia or settlement (or “village”) called Barra Velha. In 1951, they suffered a devastating massacre at the hands of the Brazilian military police, who basically burned down the settlement and dispersed the Pataxó, who for many years hereafter often had to be  discreet about their heritage. In the 1980′s and 90′s the Pataxó started fighting for their lands and succesfully reclaimed several of their old settlements, among them the Aldeia Velha located in Arraial d’Ajuda and the area around Monte Pascoal near Caraíva. A retelling of the struggle of the Pataxó for their lands can be found here (in Portuguese).

Today, the Pataxó live in 29 aldeias mainly located in the area between Monte Pascoal and Porto Seguro. Their main source of income is agriculture and tradional craftmanship, and though they have made great advances, their claim to their lands is by no means secure. The area is home to vast financial interests in agrobusiness, who would love to be able to clear what remains of the Atlantic rain forest and plant high-yielding eucalyptus everywhere, and their relationship with the rest of society is still precarious, as craftmanship and tourism are a somewhat insecure financial foundation.

After the massacre, the Pataxó might have opted to simply integrate into Brazilian society, abandon their culture and adopt a more assimilated lifestyle as workers and farm hands. But many of them also recognize that if they fail to conserve their culture, they will disappear and become nothing more than a few thousand urban and rural poor – while if the do conserve their culture and remember who they are, they may yet conserve an incredibly rich historical and cultural heritage.

The collaboration between the Pataxó and the participants in the festival was  natural because the concept of technoshamanism is, as has been discussed, all about reconnecting with ancestral knowledge and a connection to nature. In fact, one of the reasons for selecting Arraial d’Ajuda as the location of the festival was that several of the activists behind the festival already had good relations with the Pataxó. One of those people is Regis “Bailux”, who lives in Arraial and founded the hacklab called “Bailux”. At the festival’s opening (pictured above) Regis explained how his life changed completely ten years ago, when he discovered free software. His passion for free software led him to create Bailux with weekly meetings around free software, and for years he has been working to bring free software and free technology to the Pataxó to enable them to connect to the new digital world. For the Pataxó, collaboration with and solidarity from social movements as well as from other independent people are important, as they may yet need all the support they can get in the struggle for their culture and their land.

As a European and a person from a very different culture, I was honoured to be invited as a friend and a guest of these wonderful people.

The village pajé, or medicine woman, in Aldeia Velha:

Scenes from a wedding and sports contest in Aldeia Velha on April 29, 2014:

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Various snapshots from the village:

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sou indio pataxó

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Technoshamanism: Strange rituals

Many artists and theatre people participated in the 1st International Festival for Technoshamanism, and this fact conspired with the festival’s theme – the confluence of technology and shamanism – to create a number of interesting performances and happenings. Below is a selection of images which attempts to give an impression of a few of these events.

This is also the first in a series of posts where I will try to convey a number of different aspects of the festival by selecting and grouping the available photos. Of course, a few and selective photos can’t do much justice to the event itself, and there’s no room on this blog for all of the images that are relevant for this or the following topics. Still, as I said, I hope to be able to convey, mosaic-like, an impression of what the festival per se was like. Click on each picture to see it in better resolution.
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Link: Tecnoxamanismo on Flickr.