Moderated by Carsten Agger
14:00-14:45 What is technoshamanism? How does it work and what does it want?
What political issues does it raise? Introduction by Fabiane M. Borges, input from various participants
14:45-15:15 What and how may we learn about Chinese text censorship with machine learning? (Winnie Soon)
15:15-15:45 Decolonization and self-organization (Carsten Agger and Raisa Inocêncio)
15:45-16:30 Immigrating ontologies, recovering ancestralities (Rune Hjarnø Rasmussen and Amalia Fonfara)
16:30-17:30 Sonora Network – Collective Feminism in music and gender study (Ariane Stolfi)
18:00 – 19:00 Workshop: Invisible Drum (Amalia Fonfara)
19:00 – 19:30 Political Bath (Raisa Inocêncio)
19:30 – 20:00 Open Band (Ariane Stolfi)
20:00-21:00 BREAK, preparations for ritual
21:00 – 24:00 A collective DIY ritual created by the participants.
For the ritual, please bring musical instruments, clothes, whatever props are adequate for your contribution as well as inspiration and ideas.
Throughout the event, the installation Hyperelixx
by Samuel Capps
will be exhibited and can be perused by visitors.
(Greenland 1985) Artist and shamanic practitioner based in Trondheim. Since 2010, Amalia Fonfara has lived in Norway. She holds a bachelor of fine art (2013) and an international master of fine art (2015), from Norwegian University of Science and Technology in Trondheim. Fonfara has studied different esoteric practices, including spiritism, shamanism and contemplative healing practices. She is currently doing a one year study prg. at Scandinavian Center of Shamanic Studies in Sweden. In her artistic practice the perception of reality, imagination and spirituality are closely connected and intertwined. Will present the Invisible Drum
project at this event. www.amaliafonfara.com
Ariane Stolfi: Architect, composer, programmer and musician, transits between languages. Doctorate candidate on Sonology (ECA-USP), researching interactive interfaces on web technologies, has made installations and performances such “Hexagrama essa é pra tocar” and “Cromocinética”. Joined festivals such Submidialogias, #DisExperimental, Virada Cultural and Dissonantes, mantains finetanks.com experimental netlabel and collabotates with Sonora feminist collective.
Software developer, activist and writer, active in social movements for free software and civil rights and against racism and colonial wars, for twenty years. Trained as a theoretical physicist he works as a free software developer, contributes to the Baobáxia project and co-organized the LibreOffice Conference 2015. He wrote a book about the Qur’an and is currently studying Norse religion and language for a comparative project. Served two years on the board of the hackerspace Open Space Aarhus and co-organized the II International Festival of Technoshamanism and technoshamanism events in Aarhus and Berlin. www.modspil.dk
Fabiane M. Borges
holds a Post PhD in Visual Arts and a PhD in Clinical Psychology from the Pontifícia Universidade Católica in São Paolo (Brazil) and works as a psychologist, artist and essayist; organizes events relative to art and technology and social movements; authored two books, Domínios do Demasiado (Hucitec/2010) and Breviário de Pornografia Esquizotrans (ExLibres 2010); coordinated two books with the media, art and technology network Submidialogia (Ideias Perigozas, 2010, and Peixe Morto, 2011). She is one of the organizers of the I and II International Festival of Technoshamanism – http://technoshamanism.wordpress.com/en
– e-mail: ca t a d o re s@gm a il. c om
Raisa Inocêncio: Brazilian, born in 1989. She studied philosophy at the Federal University of Rio de Janeiro and Visual Arts at Parque Lage School. Now studying at Toulouse University (France) in Erasmus Mundus Masters Europhilosophie. Research on the aesthetic-political practices of post-porn movement through performing actions and references such as artists Anne Sprinkle, Diana Torres, the collective Coyote, Ju Dorneles among others.
Rune Hjarnø Rasmussen:Graduated from the University of Copenhagen with an MA in History of Religions and Anthropology, which included two fieldwork periods in Brazil and two in Uganda. He has self-published a book on the role of traditional songs in Capoeira, and has collaborated on documentary film work on the role of religion in Ghana (2002). He worked for two years in humanitarian work removing land-mines in Angola and the Nuba Mountains in Sudan, and he has worked and published on anti-trafficking. He is currently finishing a PhD on ritual technologies in Afro-Brazilian religion.
is a British artist whose work, among them the recent show ‘Relics from the De-Crypt’, work around themes similar to technoshamanism. He also runs the gallery Gossamer Fog in London. www.samuelcapps.com
Winnie Soon is an artist-researcher who resides in Hong Kong and Denmark. Her work approach spans the fields of artistic practice and software studies, examining the materiality of computational processes that underwrite our experiences and realities in digital culture. Winnie’s work has been presented at festivals, conferences and museums throughout the Asia Pacific, Europe and America, including but not limited to Transmediale2015/2017, ISEA2015/2016, ARoS Aarhus Art Museum, Si Shang Art Museum, Pulse Art + Technology Festival, Hong Kong Microwave International Media Arts Festival, FutureEverything Art Exhibition. Currently, she is assistant professor at the Department of Digital Design and Information Studies in Aarhus University. More info: www.siusoon.net